奧盧·奧圭博
后殖民藝術(shù)代表
Every exhibition is an argument made visible.
每個(gè)展覽都是可見的論點(diǎn)。
The African artist is not a representative but an individual voice.
非洲藝術(shù)家不是代表，而是個(gè)體的聲音。
To curate is to exercise a form of intellectual hospitality.
策展就是實(shí)踐一種智識上的好客。
Contemporary art is the arena where the unfinished business of modernity is worked through.
當(dāng)代藝術(shù)是現(xiàn)代性未完成事務(wù)得以解決的舞臺。
The white cube is not neutral - it carries its own cultural baggage.
白立方并非中立——它承載著自己的文化包袱。
We must resist the temptation to make African art merely illustrative of theory.
我們必須抵制將非洲藝術(shù)僅僅作為理論說明的誘惑。
The biennial is not just an exhibition format, but a geopolitical instrument.
雙年展不僅是一種展覽形式，更是一種地緣政治工具。
Art history is always written from somewhere - the question is where you're standing when you write it.
藝術(shù)史總是從某個(gè)地方書寫的——問題在于你書寫時(shí)所站的位置。
The challenge is not to represent Africa, but to present African complexities.
挑戰(zhàn)不在于代表非洲，而在于呈現(xiàn)非洲的復(fù)雜性。
Museums should be forums, not temples.
博物館應(yīng)該是論壇，而不是神廟。