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Sustainability isn't a choice anymore—it's a necessity for survival in the aquaculture industry.

藝術(shù)家的角色是提出問(wèn)題，而不是回答問(wèn)題。

I try to make films that are as open as possible, so that the audience can bring their own experiences and interpretations to them.

思想和背景的多樣性是推動(dòng)任何組織創(chuàng)造力和創(chuàng)新的動(dòng)力。

好的教育中，一半的技能，是學(xué)會(huì)鑒別“哪些事物應(yīng)被直接忽略掉”這樣的能力。