約翰·伯格
西方左翼浪漫精神的真正傳人
宣傳是這種文化的生命——因?yàn)闆]有宣傳，資本主義就無法生存。
The relation between what we see and what we know is never settled.
Seeing comes before words. The child looks and recognizes before it can speak.
The act of painting is a way of thinking.
繪畫的行為是一種思考的方式。
The art of any culture is the exponent of its social relationships.
任何文化的藝術(shù)都是其社會(huì)關(guān)系的體現(xiàn)。
The camera relieves us of the burden of memory. It surveys us like God, and it surveys for us. Yet no other god has been so cynical, for the camera records in order to forget.
相機(jī)解除了我們記憶的負(fù)擔(dān)。它像上帝一樣審視我們，并為我們審視。然而，沒有其他神如此憤世嫉俗，因?yàn)橄鄼C(jī)記錄是為了遺忘。
我們這個(gè)世紀(jì)的貧困與以往不同。它不像以前的貧困那樣是自然稀缺的結(jié)果，而是富人強(qiáng)加給世界其他地區(qū)的一系列優(yōu)先事項(xiàng)的結(jié)果。
The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich.
我們這個(gè)世紀(jì)的貧困與以往不同。它不像以前的貧困那樣是自然稀缺的結(jié)果，而是富人強(qiáng)加給世界其他地區(qū)的一系列優(yōu)先事項(xiàng)的結(jié)果。
Art is a response to what life does to us.
藝術(shù)是對(duì)生活對(duì)我們所做之事的回應(yīng)。
The past is not for living in; it is a well of conclusions from which we draw in order to act.
過去不是為了生活其中；它是一個(gè)結(jié)論的源泉，我們從中汲取以行動(dòng)。
The relation between what we see and what we know is never settled.
我們所見的和所知的關(guān)系從未確定。
Every image embodies a way of seeing.
每一幅圖像都體現(xiàn)了一種觀看方式。
The way we see things is affected by what we know or what we believe.