瓦利德·拉德
中東當(dāng)代藝術(shù)代表
The best curatorial projects are those that disappear, leaving only the art.
最好的策展項(xiàng)目是那些消失的項(xiàng)目，只留下藝術(shù)。
There is no neutral space in exhibition-making.
在展覽制作中沒(méi)有中立的空間。
The artist's studio is the first exhibition space.
藝術(shù)家的工作室是第一個(gè)展覽空間。
We need less spectacle and more substance in contemporary art.
在當(dāng)代藝術(shù)中，我們需要更少的奇觀和更多的實(shí)質(zhì)。
The documenta is a mirror held up to the art world.
卡塞爾文獻(xiàn)展是舉向藝術(shù)世界的一面鏡子。
Institutional critique must come from within institutions.
制度批判必須來(lái)自制度內(nèi)部。
An exhibition should leave the viewer transformed.
一場(chǎng)展覽應(yīng)該讓觀眾發(fā)生轉(zhuǎn)變。
The most radical art often comes from the margins.
最激進(jìn)的藝術(shù)往往來(lái)自邊緣地帶。
Curation is not selection, it's creation.
策展不是選擇，而是創(chuàng)造。
The global south has much to teach the north about artistic practice.
全球南方在藝術(shù)實(shí)踐方面有很多可以教給北方的東西。