諾曼·萊布雷希特
《大師之死》揭露音樂界黑暗
The most dangerous thing for an artist is not failure, but success.
對(duì)藝術(shù)家來說最危險(xiǎn)的不是失敗，而是成功。
Great music survives not because of institutions that preserve it, but because each generation discovers it anew.
偉大的音樂得以幸存不是因?yàn)楸４嫠臋C(jī)構(gòu)，而是因?yàn)槊恳淮硕贾匦掳l(fā)現(xiàn)它。
The silence between the notes is as important as the notes themselves.
A composer's biography is written in his scores, not in his letters or diaries.
作曲家的傳記寫在他的樂譜中，而不是在他的信件或日記里。
The true test of a musician is not how they play in concert, but how they behave in rehearsal.
對(duì)音樂家真正的考驗(yàn)不在于他們?cè)谝魳窌?huì)上的表現(xiàn)，而在于他們?cè)谂啪氈械男袨椤?/div>
In classical music, tradition is both our greatest asset and our heaviest burden.
在古典音樂中，傳統(tǒng)既是我們最寶貴的資產(chǎn)，也是最沉重的負(fù)擔(dān)。
The recording studio has become the new concert hall, and the microphone the new critic.
錄音室已成為新的音樂廳，麥克風(fēng)成為新的評(píng)論家。
Every great orchestra is a mirror of its society, reflecting both its virtues and its flaws.
每個(gè)偉大的管弦樂隊(duì)都是社會(huì)的鏡子，既反映其美德也反映其缺陷。
The conductor's baton is a magic wand that can transform noise into beauty.
指揮家的指揮棒是一根能將噪音轉(zhuǎn)化為美的魔杖。
Music is the one art form that can express the inexpressible.
音樂是唯一能夠表達(dá)無(wú)法言喻之物的藝術(shù)形式。